Killers have rare bloom in Flowers
By Jed Gottlieb
Friday, October 27, 2006 - Updated: 06:58 AM EST
Boston Herald


If you want to be big, you’ve got to start thinking big. And the Killers are thinking really big, or at least head Killer Brandon Flowers is.

Last night, the band decked out the Orpheum stage like rodeo season in Las Vegas circa ’79. Flashbulb lights ringed a sign advertising “Sam’s Town” - the title of the Killers’ latest album - and mixed with a massive, high-tech LED display. At the center of the rodeo ring was Flowers.

Flowers has been thinking big for while. He knows that he’s got to wow a couple hundred thousand concertgoers if he wants “Sam’s Town” to hit with force, as the band’s triple-platinum debut, “Hot Fuss,” did.

The Killers began with the operatic “Sam’s Town,” quickly transitioned into “Enterlude,” then began in on the hits.

One after another, the band played the singles - “When You Were Young,” “Somebody Told Me,” “Smile Like You Mean It” and “Bones.” The new songs didn’t excite the crowd as much as the radio staples - judging by the singalongs, not a lot of Bostonians have spent much time with “Sam’s Town” yet. But Flowers was up for every song, bounding around the stage and singing like he meant it.

It’s not entirely accurate to say that Flowers “IS” the Killers - everyone helps write and arrange the songs - but his voice, looks and ego are what make the band stand out. He’s the one jumping on stage props, commanding the audience to scream and clap and dance.

While drummer Ronnie Vannucci pounded away on his skins looking like a Keith Moon/Magnum P.I. hybrid, it was hard for him to rile the crowd. Guitarist Dave Keuning and bassist Mark Stoermer weren’t much help. They were like robots on stage. Standing in place is fine if you’re Eric Clapton, but the Killers’ music demand more.

The Killers want to be America’s U2 (or at least its INXS), and they have the songs to do it: “Sam’s Town” is rife with potential anthems. Even the B-side that nearly nobody knew was packed with hooks.

But Flowers needs a Keith, a Page, an Edge to play off of. Or, barring that, just another monster like “Mr. Brightside.” Noone seemed to notice anyone or anything but Flowers when the band ended its set with the megahit.

 

 

 

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